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The Africa Daily Post > Culture > Music > Mazwai’s “Sankofa” Launch: A Celebration for Black Women
MusicOn Stage

Mazwai’s “Sankofa” Launch: A Celebration for Black Women

Adekunle Owolabi
By Adekunle Owolabi Published May 13, 2024 2 Min Read
Thandiswa Mazwai at the Big Top Arena, Carnival City. Photo: Thokozani Arthur Dlamini
Thandiswa Mazwai at the Big Top Arena, Carnival City. Photo: Thokozani Arthur Dlamini
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South African music royalty Thandiswa Mazwai transformed Carnival City’s Big Top Arena into a haven for black women on Saturday night. The energy crackled as fans, her devoted “core” as she calls them, packed the venue to celebrate the release of her powerful fifth studio album, “Sankofa.”

Mazwai’s music resonates deeply with black women, offering a space to confront past traumas and celebrate resilience. Before the concert even began, the tone was set. Mazwai’s sister, poet Ntsiki Mazwai, warmed the crowd with her words, followed by a blessing from Xhosa traditional healers.

It was an amazing experience over 2.5 hours 💐🌹 pic.twitter.com/BmW2hm2fiy

— Arnold (@ArnoldMokoena) May 12, 2024

The concert itself was an electrifying performance lasting nearly three hours. Mazwai poured her heart out on stage, sharing a personal story about a past trauma before performing her latest single, “Kulungile.” The raw vulnerability resonated with the audience, creating a powerful connection.

Nne di bowa! Beziwa ziphihlika!
See you in Durban on 31 May.

Big up to @OfficialSAMPRA for the support. pic.twitter.com/ZsWNzqQljE

— King Zanomculo (@thandiswamazwai) May 12, 2024

This wasn’t just a concert; it was a movement. Mazwai’s music is deeply rooted in her heritage. She incorporated traditional Xhosa instruments like the umgubhe and uhadi, along with West African influences from Senegal, symbolically bridging the gap created by the transatlantic slave trade.

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Let me tell you something …

She had us in the palm of her hands
Commandeering, yet so gentle in approach
There were moments when the people took over
It was almost like they are part of the performance
When @thandiswamazwai said she loves us, someone behind me said “can you… pic.twitter.com/YcMnw0CXE1

— Aldrin Sampear (@AldrinSampear) May 12, 2024

The deep connection to her roots is a recurring theme in Mazwai’s work. She has spoken openly about the profound impact of losing her mother, Belede, at the young age of 16. This loss continues to fuel her passion and creativity, as she strives to create music that celebrates her African identity and envisions a brighter future for the continent.

Honouring the King in the way we know how. All Hail the king @thandiswamazwai #Sankofa pic.twitter.com/U6vtgGa8xt

— L. ShaBars (@makheswa) May 11, 2024

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Adekunle Owolabi
By Adekunle Owolabi
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Adekunle, a seasoned journalist renowned for his astute coverage of global affairs, has honed his craft across diverse newsrooms in Lagos, Johannesburg, and Abu Dhabi. Adept at navigating the complexities of political and international diplomacy, he consistently delivers insightful analysis and accurate reporting, earning him recognition as a trusted voice in the field
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